Entrusted with her gift to share

Yesterday I once again had the pleasure of sitting beside Edith and soaking in her charm and wisdom. I travelled to Chicago along with Tamara and three of the Grinnell College students who are doing Renfrow related research this summer. It was a belated celebration of Edith’s 109th birthday. Each of us had prepared something related to our summer projects to gift to her. It was a joy to watch as each of the students shared with Edith, and I hope the beauty of that experience is something that can be shared in another forum. For my part, I shared a special early edition of the book that I had printed. It includes illustrations that have been completed thus far, combined with historic photos and the text.

In writing this story I have been entrusted with an incredibly valuable treasure. Edith and Alice trust me to get the story right and I feel the weight of that trust to my core. When I shared the story with them for the first time last spring, hearing Edith’s affirmation that I was the one meant to do this helped calm my inner voice of inadequacy and self-doubt. At this point in the process, each time they see illustrations the feedback they give is valuable and appreciated, but also more complicated. They are looking at Erica’s artistic representation of my written version of Edith’s actual life. And sometime’s the details don’t exactly match.

As Erica works on the illustrations, it is a balance of my idea for what the page should contain and her artistic vision and talent. She’s using historic photos and images of the family and town whenever we have them. Illustrations are meant to convey feelings as well as physical representations. But when certain things in the pictures are off according to Edith, we want to honor that as well. So if her mother never wore hats, we need to remove the hat she’s wearing. Her parents surely loved each other and they were certainly proud of Edith, which is what the illustration is focused on conveying. But if they would have never held hands in public, then that needs to be changed as well. So long as we are blessed to have Edith with us, I want to honor the feedback she provides when we can.

We spent quite a bit of time yesterday in conversation about how parenting, especially on the part of fathers, has changed in the last 100 years. The illustration of parents and baby was the main impetus. We were reminded that parenting was much more hands off in general, and that fathers in particular were rarely very involved in child rearing. Edith’s response to this illustration – with the loving parents together doting over their baby – was that it was just not realistic. Her father never would have been there. Childrearing was the role of the mother and the concept of this kind of bonding was a foreign idea. It was a very, very different time in every way. We need to be careful to not paint it with a romanticized version of the past.

There were many other bits of the conversation that I’m still processing, each valued and something to be honored. What I know is I’d rather complete this project right than rush to get it done. Edith won’t see every illustration before it goes to print, but I can take what she has told me and try my best to incorporate it into the whole.

So the work will continue.

6 responses to “Entrusted with her gift to share”

  1. That must be frustrating, though. It’s important to honor Edith and her story, but on the other hand, details like the parents holding hands portray to young readers the loving family relationship. What a challenge for Erica to be true to the story and to the era.

    Like

    1. Yes, that is true and is exactly what I struggle with.

      Like

  2. Thank you for sharing this very important moment of dual re-creation, Monique. Biography is also about being true to history. And as we are facing a backlash against recalling the not so rosy picture of the past, stories like Edith’s are important time capsules especially for young readers who have little contact with the past as it was lived. Idealized images can sometimes make children feel inferior to the ideal. For the same reason that fairy tales show children overcoming adversity and facing painful realities of life. Edith’s story can shine a light on another time but still retain a universal message. As you note, the illustrations are key to maintaining that balance..and that can be challenging. Your commitment and sensitivity to Edith’s story is critical. Please let me know if you need anything in the process. And thank you and your team for making Edith’s birthday so momentous.

    Like

    1. Thank you so much for this Jan. It puts to words the complexity of this that I was struggling to find a way to convey.

      Like

  3. I enjoy each update and blog you post about this project and learn from each post. I wonder, Monique, if you might consider a second book at some point … “The writing and illustrating of Edith’s book” or something to that effect. The material you have included in the blogs is so important for us to know (for example, not having sufficient funds to afford ribbons for in the hair, parents not holding hands in public, dad’s having less involvement in child raising). Yes, it’s important to have the illustrations authentic, and I fear the information behind, for example, why the parents are not holding hands, is lost because readers of the book will not know the why behind the draft and final version of the illustrations.

    Like

    1. Thanks for the feedback, Dawn. I am planning on having a few pages at the back for sharing various types of information. I’d been thinking I might add some author notes on the process to include this very type of information. So thanks for confirming that idea is a good one!

      Like

Leave a reply to Dawn Jaeger Cancel reply